Tuesday, July 20, 2010

June Visitors

We had visitors the second weekend in June. Ben's family came up to celebrate Ben's graduation from the University of Washington! They were here for a few days before the big graduation so we had time to do some sight seeing. This was Ben's grandma's first visit to Seattle in many, many years. So we made a Pikes Place visit, got hot chocolates and mochas at the first Starbucks, ate Thai food, had some Molly Moon's ice cream, toured the University of Washington's campus, and visited Volunteer Park's water tower and conservatory.

The conservatory at Volunteer Park was a highlight for Ben's mom and grandma. We spent a long time looking at the different variations of flowers and we probably could have spent much longer but the boys were getting restless.




Jules and Grandma the following photos are dedicated to you! Enjoy! Let's go back some day!







Monday, July 19, 2010

Sasquatch!



Ben and I had the opportunity to attend one day of the Sasquatch music festival this year. We got to attend as "press" since Ben was going to write about the day on Indie Rock Reviews website. There were a few perks going as press, the most significant... a free ticket! Anyway, enjoy the write up and proliferation of photos below!

(Most of this post is by Ben, but I make small interjections here and there... they are in RED.)


The 9th annual Sasquatch! Music Festival took place over Memorial Day weekend bringing almost one hundred acts to The Gorge Amphitheater in George, Washington. I was able to avoid the rain, not showering for three days, contact highs, camping and sadly fantastic music by only being able to attend the Monday portion of the festival. Having never been to Sasquatch or The Gorge Amphitheater I thought I'd share a few (hyperbole filled) observations from the day. Being only one man I wasn't able to cover it all, but hopefully this will help the uninitiated get a little taste of what its like at Sasquatch.


Even though reviews by nature are subjective, reviews of a music festival are even more so. So I'm not even going to try. There is so much going on that it is impossible for one person to cover everything (or even most). With close to 100 acts performing on four stages over the course of three days it is impossible to take it all in. Everyone who attends will have their own Sasquatch story. With so many different bands, DJs and comedians to choose from everyone fills up their dance cards in their own way. I was only able to attend the Monday portion, so my "Sophie's choices" weren't as difficult as others faced. (Saturday's match-up of The Hold Steady v. The National would have killed me). However, I did have to choose between: The Mountain Goats v. She & Him; Band of Horses v. Camera Obscura; Drive-By Truckers v. Fresh Espresso; MGMT v. New Pornographers v. Driving three hours in the rain to get home in time for work.
The Gorge truly is in the middle of nowhere. When you take the exit for the amphitheater you still have about six miles before you get to the spot. For those six miles my stomach housed butterflies in anticipation for a long, fun, music filled day. The lines to get in were horrendously long but I was riding a high because I didn't have to pay for parking! Standing in line I instantly felt old. My wife leaned over and said in my ear "I feel like a mom." There was more neon, feathers, body paint, and ironic sunglasses then I knew what to do with. I swear I saw more raccoon fur hats than at Disneyland's Frontierland. But even though I felt 42 and out of place almost everyone I encountered was very kind and relaxed. I remembered when I was in high school going to Warped Tours every year you had to always be on the lookout for a swinging fist. Not at Sasquatch, these people are like ironic hippies, they just want to dance and that's fine with me. When I finally made it through the gate I headed straight over to the Main stage to see in person what I have only seen in Pearl Jam concert videos. The view from the top of the amphitheater is really something to behold. The clouds seemed to go on forever and the stage looked like it was floating above the Colombia River. I was kind of bummed to see that this year they have put up a black tarp behind the stage. In years past spectators could look through the stage while watching their favorite band play. But even with the Hefty bag blocking some of the view the place is still breathtaking. While watching bands on the Main throughout the day I sometimes found myself taking for granted the magnificent setting and then it would hit me "wow, this place is gorgeous." By Monday the grounds were trashed and people were going on a few days without a shower but that didn't top the damn beauty of the place.
I was able to see full sets of Drive-By Truckers, Passion Pit, She & Him and Camera Obscura. I saw the first half of The Temper Trap and the last half of Phantogram's set. I caught the last couple songs of No Age and Band of Horses and the first few hits of Neon Indian. Not bad considering how behind schedule most of the acts were. So here in chronological order is my dance card.


The Temper Trap:
All I knew about these guys going in was that they sing the "Sweet Disposition" song that was everywhere last summer. I just assumed they were a Coldplay/U2 hybrid that I wouldn't be too interested in. I wasn't expecting much, just something to ease me into my first and only day at the festival. I was caught off guard by how engaging they were. It is not an easy feat to rock out at 1:50 p.m. on a Monday but these guys were impressive. They opened with "Fader" which I guess is a hit because everyone around me seemed to be singing along. The lead singer (I think, two other people also sang lead at times) Dougy Mandagi has an awesome falsetto and (dare I say) swagger that made it hard to take your eyes off him. Later they played "Fools" which people went nuts for. Their sound, for whatever reason, seemed to fit the stage and the setting well. I think it has to do with their U2ness scope that elevates each song to feel like a moment.


Songs like "Down River" and others sound tailor made for The Gorge. For a band who is just starting to make waves stateside they did not seem to be phased by the honor of playing the Main stage at Sasquatch! Last fall they were playing shows at the Crocodile in Seattle now they are rocking the Main. I bailed to see Phantogram before hearing their most popular song but as I was making the trek to the Yeti stage I could hear behind me people singing "Sweet Disposition" in unison.

Phantogram:

Unfortunately, I only caught the last four songs of Phantogram's set. I was trying to be super-festival guy and see as many acts as possible. When that strategy epically failed (late start times, travel time from stage to stage, and basic crowd maneuvering) I decided I would rather see quality over quantity from then on. That being said, I'm so glad I was able to catch Phantogram if only for a bit. They played the Yeti stage which I guess is the smallest of the fest. I was pleased to see a pretty big crowd bopping their heads along to the duo's beats. I couldn't tell much of a difference between their live set and their debut album but that didn't seem to matter to anyone in attendance, they all seemed very into it. I overheard a couple of people talking about picking up their album after the show, which made me smile. After hearing a few songs it occurred to me that the Yeti stage was probably the best place for this particular band to play. I always picture their music playing in a small, smokey, sweaty club but this setup seemed to work very well. It also helps that Josh Carter and Sarah Barthel come across as two of the nicest people in the industry. Maybe it is a ruse (I doubt it) but these two seem without guile. When their set was over Josh thanked the crowd by telling us that being able to play here is a huge blessing for them and they won't soon forget it. I hope their positive vibes karmaticly grant them more album and ticket sales so these two can make music together for a long time.


Drive-By Truckers:

Amidst an electro pop heavy lineup (remember I was only there Monday so no The Hold Steady or My morning Jacket fix for me) Drive-By Truckers brought the alt-country-rock/summer music festival feeling I was craving; you can only have so many sweets before you need a little salt. The big let down for me during their set was the weather issue. Already an overcast day, the weather took a turn for the worse almost immediately when the band began. TD-BT didn't let the weather get in the way of putting on a solid set. With such a deep back catalog they did a great job picking their setlist and gave all band members their time to shine. Shonna, Patterson and Matt shared vocals and just about everyone else had killer solos that really varied from the versions we've come familiar with on the albums; which is why we go see live shows, right? The guys and Shonna succeeded in bringing the jam band vibe to the Monday portion of the festival. About halfway through the weather gods smiled upon us just in time for one of my favorite songs of 2010. When "Birthday Boy" started I couldn't help but smile, right when Matt Cooley's voice kicks in I turned to my wife and told her that the 3 hour drive was worth it. This is a band I have followed for years now but have yet to see them live; they didn't disappoint. Well, they didn't disappoint me. After the TD-BT set I was waiting in line for the rest room and I overheard two neon and feather clad young men say (direct quote): "That last band sucked. Why are they here? They are probably the worst of the festival; you couldn't even dance to their music!" I wanted to say to them "These guys have been around for 14 years, put out at least 10 albums; they are very accomplished and deserve your respect. Who knows if half the bands here will be around 10 years from now? Besides, everyone around me danced, myself included." But I didn't say anything, I already felt too old. The Drive-By Truckers brought a balance to Monday that was needed.

One of the biggest shocks for me at Sasquatch was how old I felt. I kept looking around and we were in a sea of high-school-college-hippie-wannabes. I wore jeans and a button down top... I totally dressed like a mom. I should have come in my bikini top and short-shorts or peasant skirt! Oh yeah, don't forget the rose colored sun glasses.


Passion Pit:

This year marked back to back Sasquatch appearances by the kids from Cambridge. Lead singer, Michael Angelakos, told the crowd that last year they were thrilled to play the fest on one of the smaller stages. After their set they watched huge bands play the Main stage and they dreamed that one day they would have the chance to play on one of music's great playgrounds.

Angelakos said that he never thought they would be playing for thousands on the Main stage exactly one year later. While PP's EP has been floating around for a couple years now, it was only May 18th of last year when their first full length album, Manners, dropped. PP managed to draw the biggest crowd of the day up to that point. People were dancing, singing along and just about everyone was smiling (if you've heard their music than you'll know it's almost impossible not to smile). Angelakos came across as a really engaging talent; none of his shtick felt forced. He performed the hell out of his set bouncing around the stage, jumping on and off speakers while still belting out his now signature high pitched squeal. Although I didn't keep track of their setlist exactly it's pretty fair to say that PP probably played every song from their album and EP. What I've admired about PP so far is their ability to make every song on their album sound like an all out hit. That consistency definitely carried through to their live performance. When one song would end and the next began the crowd about lost it; with people turning to each other shouting "this one's my favorite" after every song. Before playing "Sleepyhead" Angelakos asked the crowd to raise their arms in the air and wave their hands forward and backward to simulate moving water.

I was pretty close to the front and midway through the song I turned my head and was taken away by the massive ocean of people behind me. I saw rows and rows of people waving their arms in unison. To the left I saw a group of people on a slip and slide cruising down the hill waiving their arms as well. When I turned back to look at the band they seemed genuinely in the moment; soaking it all in. In a very short time, PP has evolved into a band modestly confident in their ability to put on a fantastic party. I heard talk that last years PP set left a lot to be desired, leaving some to believe that their sound is better suited for an album, not live. Well, they must have worked out whatever kinks existed because their second Sasquatch performance is one I will remember for a long time.

I will also remember this performance for a long time, I wasn't a big fan of Passion Pit before I saw them at Sasquatch. The lead singer has a unique voice and I tend to be little snobby when it comes to singing. It's hard for me to get past certain imperfections vocally but after hearing and seeing Angelakos live I became a fan! The energy and pure joy I saw all around me was infectious. I can't get enough of Passion Pit!

People watching was great during this set too!


She & Him is the main reason why I agreed to go to Sasquatch with Ben. I LOVE She & Him. I love their retro sound, I love their doo wop harmonies, I love that Zooey Deschanel writes the lyrics to all their original songs, I love that M. Ward writes all the music, I love Zooey's tambourine, I love M. Ward's shades... I love, I love, I love... :-)

She & Him:

Few people are as polarizing in the "indie world" as Zooey Deschanel, but I don't get it. The girl can sing, play the piano (and ukulele) and write a catchy song… and oh yeah she can act. The thing about ZD is that if she wasn't an actress breaking Joseph Gordon-Levitt's heart in the movies I really think she would have been a singer song writer anyway.



We are just lucky that we live in a world where we can have both Zooeys. I did not know what to expect when I waited for She & Him to come out and play on the Main; I just knew I wanted to be close to the stage. For those familiar with their work, seeing them perform on a giant stage in front of 20,000+ people doesn't come to mind. I wasn't sure they were going to be able to pull off the Main. I was I wrong. From the first song M. Ward and ZD proved that their little side project is more than just frothy kitsch. They were accompanied by a full back up band which elevated their sound from intimate to (I'm going to say it) rocking. There second to last song was a rendition of Chuck Berry's "Roll over Beethoven" that was incredibly impressive and impossible not to dance to. They also played a few songs from M's solo work. "Magic Trick" from Post-War was a nice surprise. It was one of the few times of the set where M sang lead and it reminded me just how cool he is. It's been known for awhile now in my circle that I've been crushing on ZD for sometime but I think my crush is bleeding into M. Ward territory.

He has such a unique voice that seems very out of place in 2010. I guess that is why he and ZD pair so well together; they sound like two old souls. Now as for ZD, if possible she is cuter in person than on the silver screen. She bounced around the set with her tambourine like a girl rocking out privately in front of her mirror. There is an awkwardness and sincerity (who knows maybe she's acting but I choose to think otherwise) to her performance that is very endearing to watch. To top it off from where I was standing I could see her husband (DCFC's Ben Gibbard) in the wings staring at her with a giant grin on his face, often clapping along to the songs. I was doing the same thing.





Taking a break with a GIANT strawberry limeade.


Ben waiting for Camera Obscura to start.

Camera Obscura:

I made the executive decision to opt out of seeing Band of Horses (they play Seattle like three times a year) in favor of catching my native land's Camera Obscura. I've been a fan for awhile but haven't seen them live until now. Whenever I see them on TV it never ceases to amaze me how eclectic a group of people Camera Obsucra is. That thought continues seeing them in person. They look as if someone cast a net in a Scottish countryside and formed a band with the people caught. And I love it. In the current lineup of CO you have: two "older", bearded bigger guys on guitar/bass, a drummer that looks like a college professor, a lead singer who looks like a librarian, a feisty looking pianist and a trumpeter who looks twelve. This rag-tag bunch all seem to fit together in that they all seem so different. Their quiet, 60s pop sound was the perfect come down from all the anxiety that comes with attending a music festival. Towards the end of the set (I think during "Let's Get Out Of This Country") a rainbow appeared as if on que; it was too perfect. My favorite was when they played "Swans" off last year's album. My wife's favorite was "James" which was even prettier live. Lead singer Tracyanne Campbell was on the verge of losing her voice but you couldn't tell until she informed us near the end. She spoke for the band in saying that they feel at home at Sasquatch because the overcast, wet weather reminded them of home in Glasgow. From where I was standing I could see the backing band from She & Him backstage nodding along to the band and I thought perhaps we would be treated to a collab, but no dice.

I would have loved to stay for MGMT but rumors (now confirmed) that they will be playing the Capitol Hill Block Party this summer made me feel less guilty about heading home an act early. My Monday experience at Sasquatch was one for the books and I hope I can find the time in my schedule to do the whole thing someday.


Sunday, July 18, 2010

Oh Coco


It has been well documented on our blog that Mandy and I are big fans of Conan O'Brien. When we found out that Coco was taking his act on the road we jumped at the chance to see him live. Conan's "Legally Prohibited From Being Funny on Television Tour" (the tour's name is a nod to NBC's demands in their settlement that Conan not be able to appear on TV in a comic setting until November) made it to Seattle on April 19th. The show consists of stand up, music, sketches and Eddie Murphy's purple leather suit from Raw. It was fun to see Conan, Andy, Triumph and La Bamba (no Max or Pimpbot unfortunately)as well as some classic Walker TX Ranger clips and the inflatable bat from Meat Loaf's "Bat Out of Hell" tour. In addition to the warm up act, Seattle's own Reggie Watts, Conan had special guests show up throughout the tour. Jon Stewart, Stephan Colbert, Jon Hamm, Spoon, Vampire Weekend, Mike Tyson, Tina Fey and Paul Rudd were among some of Conan's friends who appeared throughout the tour. We were lucky enough to have Eddie Vedder and Mike McCready from Pearl Jam make an appearance at our gig. When Eddie came out I about lost it. I'm sure I embarrassed Mandy because I was screaming like a girl. Ed Ved sang two songs off his Into the Wild soundtrack. He then sang a rendition of John Lennon's "Oh Yoko" switching the lyrics to "Oh Coco". After his brief solo set McCready came out and along with the "Legally Prohibited Band" the guys played a thirteen minute version of The Who's "Baba O'Riley". I was losing it; pure jubilation! To quote Conan's twitter "Eddie Vedder's set at my show last night in Seattle melted my eyeballs. Seriously. I'm going to sue Eddie for boiling my ocular-jelly." We couldn't have said it better ourselves. We had so much fun and it was worth every penny. The show should be able to tide us over til his new show hits the air on TBS in October. In the meantime we will be rooting for Coco next month when he is up for an Emmy for his short stint as host of The Tonight Show.








We're back.


It's been about a month since I promised graduation photos and other updates. It seems whenever I have a lot to post I procrastinate. I could be due to our aging (slow) computer but it's probably just laziness. Sorry to our few loyal readers who check this blog at least weekly, you're probably so sick of Mr. Gates commencement address.

Here's to a full week of daily updates including our goings-on since April.

Tuesday, June 15, 2010

William Gates Sr. Speaks at UW Commencement

This post will soon be followed by tons of pictures from Ben's UW Graduation weekend! We were lucky enough to have his mom, dad, grandma, and brother come for the occasion! It was a whirlwind of a weekend but I think all had a good time!

William Gates Sr. spoke at the commencement and I found his address very inspiring and thoughtful. I thought I would share his words with all of our "readers." I know it's long, but I promise it's worth reading! The following is his address from June 12, 2010, enjoy!

When they asked me to speak at commencement, I leaped at this opportunity to suit up and take the field in front of 50,000 cheering Husky fans.

I’ve been a Huskies fan since football players wore leather helmets. I’ve seen dozens of games at this stadium.

In fact, who’s in Row K, Seat 32, up there on the north side?

You’re in my seat. I tell you this because for more than six decades, this university has been an indispensable part of my life. I care deeply about the University of Washington.

I went to college here. I went to law school here. I met my wife and the mother of my children here.

We both met some of our closest friends here, and they have been friends for a lifetime.

I learned a lot about citizenship here. The first real community service I ever did was serving on the board of the university YMCA.

As the years went on, my wife and I remained in the fold. She served on the board of regents for 18 years. Now I serve on the board, along with our daughter.

I care about the UW because it has been the stuff of my life—it’s the place where I was educated, the way I built my family, and the medium through which I tried to serve my community.

I hope you have the same feelings of affection for the university, and I hope you will express them by serving the university in the years and decades ahead. If you’re anything like me, your loyalty to your alma mater will make your life much richer.

Today, I am going to talk about some things that have made my life so rich. My premise is that there may be value to you in hearing what an 84 year old man has to say about the ingredients that cause him to look back with satisfaction.

A lot has changed in the 60 years since I sat where you sit now, so I am going to talk about some very basic ideas—ideas that don’t change much.

Let me open by suggesting that one worthy goal is what some might call personal indulgence. There is nothing wrong with learning how to do the Cha Cha Cha--nothing wrong with planting a garden or playing in that fantasy sports league.

But by far the most rewarding part of my life is—and always has been—raising a family. And if there’s one thing about your future I feel comfortable in predicting, it is that you either do, or will, feel the same way. I want you to know, by the way, that I mean family in the broadest sense—whether by blood, adoption, or bonds of affection.

Let me suggest that you be as deliberate as you can be about the job of raising your family. Being deliberate helps translate your fundamental human decency into your behavior as a parent.

It is intriguing to me that, as a culture, we so seldom look for or accept any guidance in how to be a parent. You need a Ph.D. to teach 20-year-olds for a few hours a week. Based on current priorities in our society, you don’t need anything at all to teach an infant for 168 hours a week. But which does more good if you’re skilled? And which does more harm if you’re not? I’m not saying you should be required to get a certificate in parenting, but it’s worth thinking very carefully about what kind of parent you want to be and how to get there.

I had the good fortune to marry a woman who grew up in a family that enjoyed a number of annual traditions. One was an assumption that everyone would be together for Sunday dinner. Another was new pajamas for all hanging on the tree on Christmas morning.

We adopted many of these regimens and added a couple of our own.

I mention this as an example of being deliberate in organizing a family life, and because I am certain that those traditions had a central role in creating a sense of continuity and permanence for our kids growing up in a world full of change and uncertainty.

The next of my paramount pleasures is having a long list of very good friends. This list includes people I met in grade school.

I belong to a bridge club that was started in 1952. I look forward with pleasure to our meetings. It is in part the pleasure of a half-century of shared memories. But it is also the comfort of sharing of experiences and views with people whose ideas you have come to know and appreciate.

If you come to cherish friends as I do you will discover that, as with family, there is a requirement of a measure of deliberateness to make it work. You need to work at it. You do need to email that note or make the phone call to keep friendship alive.

Now I venture out onto softer ground.

I am very comfortable extolling the rewards that flow from conscientious, well informed parenting and urging you to make that part of your life. I am very comfortable underscoring the pleasures derived from making the effort to have and to maintain close friendships.

The obvious next question is, what about a public life. I haven’t always been comfortable urging young people to embrace public life. I figured it was none of my business. Lately, though, I have grown more accustomed to the idea that every life should have its public aspects.

And for all the rewards of private life, my life would have been much the poorer if I had not experienced those moments when I felt like I belonged to something larger.

My favorite axiom is this: “We are all in this together.”

You know it’s a good axiom because there are so many ways to express it. “We’re all in the same boat” is one. Benjamin Franklin said, “We must all hang together, or most assuredly we will all hang separately.”

The fundamental idea here is interdependence. We simply cannot succeed without the contribution of others.

What are the implications of that idea? The biggest one is basic citizenship. Citizenship means that we behave according to the belief that every person matters just as much as every other person.

Citizens must not prosper at the expense of another person. Citizens should aspire to do what they can to counteract the disadvantages that random chance imposes on others.

I suggest that this principle for society at large is alive and working in our world. Let me cite the most prominent example I know of the role of good citizenship in changing society for the better.

When I graduated from college, our society condoned the killing of African Americans. My senior year, a man was beaten to death in Mississippi because, his murderers explained, he was “hogging the road” with his horse-and-buggy, and they couldn’t pass in their car. They were never punished.

But now, we have elected an African American president of the United States. I never imagined I’d see that.

One of the great historical themes of my lifetime—America’s march toward racial justice—has demonstrated the vast potential of citizenship.

You can’t explain the civil rights movement in terms of heroic public service alone. You can give credit, but not sole credit, to the handful of public figures whose names we all know. Martin Luther King is a hero of mine, but for every Martin Luther King there were thousands of courageous southerners, citizens whose names we don’t know, who sat in at lunch counters. Thousands who registered to vote, boycotted buses, and enrolled in schools where they weren’t wanted. Thousands who marched into mobs of men armed with billy clubs.

And there were millions of white citizens who said they would no longer sanction racism. Most of them didn’t storm any barricades, but they did the small, necessary things. They told their politicians that the issue mattered. They donated money to the cause. They made sure their children learned about civil rights in school.

What I am getting at is what I believe to be the real substance of democracy: something called public will. It’s an abstract concept, public will. You can’t touch it, or take a photograph of it, or buy it at the store.

But when important things happen, it’s because the public had the will to make them happen. And when nothing happens, it’s because the public isn’t willing. Public will is the reason why the civil rights movement happened in the 1960s, but not in the 1940s.

That’s what public will does, but what is public will?

Public will is when the right thing to do becomes consensus and people generally start expressing the convictions they share in everything they do.

So I don’t care if you carry a banner or if you stand near the back. You can yell into a megaphone if you like, or you can listen carefully if that’s more your style. You don’t need a soap box to be a good citizen. You just need to be part of the public will to make life on this planet a little bit better.

And if I know you at all, I expect that you want to be part of it. I also know that you’re ready to be, because I know what you’ve learned here at the University of Washington.

But let me carry this sense I have about the wisdom that “we are all in this together” a bit further.

I suggest that we are extending the consensus flowing from the success of the civil rights movement.

We are seeing a growing acceptance of the idea that we have an obligation to counteract the fundamental disadvantages that so burden a large part of mankind.

How can a world of plenty have a billion hungry people? How can a million infants die of a disease, diarrhea, for which the treatment is essentially Gatorade?

Here at the university and elsewhere, I have begun to perceive that this movement for global equality might just be your civil rights movement. That could be the world-historical problem that you solve through billions of ordinary acts of citizenship.

Dr. King spent his life preaching about this world you are on the verge of creating. He was a preacher because he knew that people needed to keep striving to bring that world into being. He knew that the future he imagined was not ineluctable. It would have to be the product of human effort, your human effort.

“Through our scientific and technological genius,” King said, “we have made of this world a neighborhood. And yet we have not had the ethical commitment to make of it a brotherhood. But somehow, and in some way, we have got to do this. We must all learn to live together as brothers or we will all perish together as fools.”

There is that axiom again.

Let me note here that many people make the case that global poverty is an economic issue or a national security issue. If we have to make that argument to generate the public will required to overcome this problem, we should do it. But to me this is not primarily an economic issue or a national security issue; this is a humanitarian issue. People are dying and we can save them—that ought to be enough.

People suffering in poverty are human beings. They are not national security assets. They are not markets for our exports. They are not allies in the war against terrorism.

They are human beings who have infinite worth in their own right without any reference to us. They have mothers who love them, children who need them, and friends who cherish them, and we simply ought to help them.

When I was young there was no Internet. No cable news. I turned my attention to the things I knew, and so did all the people around me. There was but little public interest in thinking of equality on a worldwide scale.

You are different. You will have to work hard not to learn about the wide world. And since you are aware of people suffering, you will act on their behalf.

Privileged people aren’t selfish with their privilege. You will display the ethical commitment to make of this world a brotherhood.

So, on your graduation day, let me exhort you to join me and your fellow graduates on this special day to become Huskies for life. Let me exhort you to go fishing. Let me exhort you to read a novel. I exhort you to find love. I exhort you to be a learned parent and to wring all the joy you can out of the friends with whom you surround yourself.

In closing, let’s go back to the subject of public life.

In respect to that, I have a confident prediction. It is a prediction based on knowing how prepared you are, from what you have learned here at this fine school to live and to contribute as a constructive citizen.

My prediction is that 60 years from now, when you sit down to write your Commencement speech, you will look around and you will observe that your world, while still beset with serious problems, has indeed become a better place than it was in 2010. And you will make that observation with a sense of pride in having contributed to that change. This will occur not because I say so, but because you are who you are now – graduates of the University of Washington possessed of all the qualities this fine institution has taught you.

Good luck and thank you.